I like Thucydides, and I can recite the Melian Dialogue from heart. But I also think that as much of a classic the book is, it has become too totemic a work of literature for both classical realists and neorealists. So I have some alternate reading and viewing suggestions for realists that also illuminate aspects of strategy and international relations.
1. The Romance of Three Kingdoms
Classic Chinese epic novel about the struggle for power among a multiplicity of warlords. The level of violence, duplicity, and pure drama here dwarfs anything that Thucydides could ever imagine. And Cao Cao is the kind of character Gary Oldman would win an Oscar for if he were Chinese.
2. Dune series
Control over precious resources. Interplanetary geostrategy. Warring royal families. Religious prophecies and fanatical cults and organizations. Byzantine conspiracies of immense complexity. Dune simply has it all. You should be equally familiar with Houses Harkonnen and Atreides as you are with Pericles.
3. Anabasis
Xenophon's classic tale about a group of Greek soldiers who find themselves stranded when their Host Nation undergoes a drastic political shift is not just a tale of military exploits but also a story of strategy and diplomacy as their leader methodically leads them up back to Greece through Persian lands. An instructive read for the "expeditionary" era.
4. The Godfather, Part 2
Several realists have recommended the first movie, but I think the second is far more interesting. Why? It's a story in, part, of maturing power as Michael Corleone gradually grows into his role as top boss of the Corleone family. It covers the difficulties of a grand strategic shift, as Corleone attempts to move his operations West and become more legitimate. It's also mainly very interesting for its deep psychological insight into a leader's decisonmaking calculus and the burdens that strategy--especially in a world as anarchical as that of the mob--inflicts on a leader who must set policy.
5. Zulu Dawn
The prequel that no one ever watches to Zulu. Instead of the heroic defense of Rorke's Drift against the Zulu hordes, it shows a complacent British army being annihilated at Isandlwana. It also depicts, in sad detail, the political machinations that ensured that an ill-prepared force would be sent into Zululand without a clear strategy for victory. There is a reason why this film is obscure--it is a very, very depressing story but just as relevant as the similarly downbeat Battle of Algiers.
6. The Seven Samurai
Akira Kurosawa's classic is ultimately about the defense of a political community. Machiavelli advocated militia forces to preserve Republicanism in his home city-state and protect it from outsiders, and wrote very strongly in both The Prince and The Art of War on the kinds of political motivation it would take to develop such forces. The Samurai, who both mistrust and are mistrusted by the villagers (who have a history of antagonism with Samurai) have to not only create a popular force to defend against a superior foe but also motivate it.
The recent book on Richelieu and Olivares I read comments that Tacitus was the Thucydides for the hipster statesmen/favorite set in the early 1600s.
Posted by: Joseph Fouche | September 27, 2010 at 10:04 AM
Ha ha, that's pretty amusing.
Posted by: A.E. | September 27, 2010 at 10:08 AM
I believe that reading "The Romance of the Three Kingdoms" greatly facilitates understanding Sun Tzu. Otherwise, "The Art of War" can come across just as pretty obvious pithy statements.
By placing that philosophy into execution through its stories, the novel gives an idea of how conduct of such war would be different than that we may see in the west.
Phil Ridderhof
Posted by: Phil Ridderhof | September 28, 2010 at 07:12 AM
You actually see many of Sun Tzu's operational judgments reflected in the strategems, operations, and tactics of the characters.
Posted by: A.E. | September 28, 2010 at 01:07 PM
*Hear, hear! I have always thought it absurd that IR folks can analyze the 27 years of the Peloponnesian War three times over and be lauded for the effort, but those who try to do the same with the subsequent 2,000 years of history are laughed out of the room. If Sparta and Athens are legitimate objects of study, why not Egypt and Babylon, Rome and Byzantium, Qin, and Chu, or the Ummayyad and Abbasids?
*The Sunzi/Three Kingdoms connection makes sense - the earliest extant edition of Sunzi (before archeologists started digging up graves in the 70s) is the copy with Cao Cao's annotations on it.
Burton Watson's translation of Sima Qian's Records of the Grand Historian are another good place to look for an illumination of Sunzi. This volume, in particular, is valuable in this respect.
*Niccolo Machiavelli's greatest intellectual nemesis was another 16th century Italian political philosopher, the now forgotten Giovanni Botero. His most influential work, Reasons of State, was something of a hack-job at Machiavellian politics, and it is on this count he is remembered by a few intellectual historians today. Given this reputation, I was surprised to find that the great majority of Botero's jeremiads were directed not at Machiavelli, but at the newly translated Tacitus!
Posted by: T. Greer | September 29, 2010 at 11:35 PM
The first time I read Robb's GG concept it made me think of a line from Dune (as I remember the line anyways): "He who can destroy a thing, controls the thing".
Posted by: Purpleslog.wordpress.com | September 30, 2010 at 08:42 AM